Something about seeing Olive on stage shifts my parental lens, no longer a needy appendage but an individual performer with her own athleticism and grace. Olive the gymnast and ballerina, separate from me, with my hockey hips and scarred slide-tackling knees.
Olive running across the mat and throwing herself into a round-off, the only girl at her level comfortable enough to try one on stage. Olive remembering all the dance steps in her ballet routine.
And I sit in the audience, in awe of my little girl who is not so small after all.
"Thank you for making me breakfast," she says to me this morning, surprising me with her words of gratitude, with her understanding that food doesn't just magically appear before her but someone actually takes the time to cut the crust off lightly-cooked toast, to mix craisins and brown sugar in oatmeal to make sure its sweet enough.
"Mom, I didn't even have to say: whaaaa!" Olive holds a small dead Spruce in her hands, root ball and all. She says this in response to my explanation for my previous noises as I pulled out my own slightly larger tree-- I had told her that sound effects, like whaaa and grrrr, can sometimes make us stronger.
We climb over old fallen Hemlock, weave around Devil's Club spears at this pre-leaf time of year, as we work on clearing the undergrowth of our woods.
"You are so strong!" I say, and her lean muscled body smiles back at me as she searches for another small dead Spruce to pull from the still wet ground.
We are close to a giant rotting log, Olive's make-believe trolly, complete with a seat for people in wheelchairs, because Olive's pretend world is an inclusive one, with space for forearm crutches and wheels.
Olive draws two pictures for the cabin, she tapes one downstairs with images of folks with mobility issues and tapes another one on our ladder-like stairs with able-bodied stick figures.
If she could, she'd build a ramp to erase the barrier to accessibility. Or try to rig a harness system to pull someone up top, wheelchair and all. She'd order and install an elevator if she had the funds.
Olive already turns tree stumps, chairs, and snow-piles into elevators to entice her brother to join her creative play. She falls in dramatic ways to make Elias laugh. Crashes into walls and trees just to see the glee he can't contain, the full body humor that makes his belly shake.
And sure, she still pushes Elias's buttons, whines, cries too easily, lies outright-- she's still an imperfect child, as we all are inside, but she's growing up into a remarkable person all her own.
"Mom when I was in kindergarten I thought babies just popped out," she says, as we lay in her bed snuggling. "I didn't know it hurt and there was blood."
"Having babies is hard and messy," I tell her. "But it is often the most difficult things that bring us the most joy."
"Do you still have babies in you?"
"No, I have eggs, but your Dad and I won't create any more babies."
"Why not?"
"Because we are happy with our family the way it is."
"Because we are moving out of the cabin into our trailer?" She asks, referring to our upcoming downsizing at month's end.
"No, because you and Elias are all we need."
And with that, I kiss her head and say goodnight.
"I love you," I say, as I tuck the blankets around her shoulders that grow broader as she cartwheels and somersaults her way through first grade.
"I love you too, Mom."
I mean really, what more could I possibly need?